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DEBUT RELEASE DREAMIN' OF A TIME MACHINE OUT NOW!

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I remember listening to his songs, and I was like, 'Oh so Marcus is a storyteller,' and I found his stories to be interesting, and I was like, 'This is stuff you can't make up,' and my mind kept going, it was like it opened up once I started listening to his lyrics. I could picture everything, and that's the deal, that's the art of songwriting, if you can make people feel what you feel and if you can take them to that place you were in.” - Jeri James

Red Dirt Roots Radio

NEW SONG (04/11/25):

Booking/CONTACT

Shows

VENUE/PRESS MATERIALS

SHORT BIO:

Marcus Brown is a roots-country singer-songwriter from Western Oregon whose music blends traditional country, Americana, and raw, personal storytelling. Named a “One to Watch” by the Nashville Songwriters Association, his songs explore love, loss, and life between the coasts. With a sound that nods to John Prine, Hayes Carll, and Waylon Jennings, Brown delivers songs that feel lived-in—rooted in the landscapes and rhythms of his small-town upbringing. He performs across the Pacific Northwest and Nashville with his band, Marcus Brown & Ghost Town, as well as in solo and small group formats. His debut release, Dreamin’ of a Time Machine, arrives June 20, 2025. For more, visit marcusbrownsongs.com .

LONG BIO:

Marcus Brown

Roots-Country Singer-Songwriter | Western Oregon

Marcus Brown writes and sings from the heart of Western Oregon, where four generations of his family have experienced the fields, forests, and rivers as part of their daily lives. With a voice full of soul and dust, and songs that carry both the ache and the humor of real life, Brown’s music blends traditional country, modern Americana, and a songwriter’s eye for the truth.

His debut EP, Dreamin’ of a Time Machine, captures a wide emotional range—loss, love, memory, longing—and is already turning heads in the roots music community. A regular on Nashville Songwriters Association’s "Ones to Watch" list, Brown is a prolific and rising voice in the indie country world. His sound and lyrics have drawn comparisons to Hayes Carll and John Prine, and his influences run deep, from Waylon Jennings and Chris Stapleton to Todd SniderLowell George, and Hank Williams Sr. & Jr.

Raised in Junction City, Oregon—where hay fields and fir-covered hills shaped his childhood—Brown grew up steeped in music. His father played church organ, his mother sang classical arias and show tunes, and Marcus absorbed it all, learning piano, saxophone, and eventually teaching himself guitar at 13 on his mom’s old nylon-string. After a stint in Tennessee playing in indie rock bands and studying music theory, he stepped away from music to raise a family and build a career.

It was the tragic loss of his wife to cancer that brought him back—not just to Oregon, but to songwriting. “I went home to heal,” he says, “and ended up finding my voice.”

Brown’s songs reflect that path. They echo the hard-earned joy and loss of small towns, big cities, and lives caught in between. Tracks like “Cheap Guitar,” “Little Gas Stations,” “Best Kind of Bad Luck,” and “Get Me The Hell Outta Hell” have become crowd favorites for their honesty, humor, and grit.

In 2023, he formed his electric country band, Marcus Brown & Ghost Town and began playing steadily across Eugene and the wider Willamette Valley. He’s also active in Nashville in writers’ rooms and songwriter rounds. He's shared the stage with artists like Wayne "The Train" Hancock and rising folk-country talent Jay Gavin.

Whether playing solo or with his band, Marcus Brown delivers songs that sound lived-in because they are. He doesn’t sing to impress—he sings to connect. And that’s what makes his music stick. Radio and podcast host Jeri James explained it like this:  “I remember listening to his songs, and I was like, 'Oh so Marcus is a storyteller,' and I found his stories to be interesting, and I was like, 'This is stuff you can't make up,' and my mind kept going, it was like it opened up once I started listening to his lyrics. I could picture everything, and that's the deal, that's the art of songwriting, if you can make people feel what you feel and if you can take them to that place you were in.”

For more, visit marcusbrownsongs.com .

STAGE PLOTS:

Solo

Front-center stage: Singer-guitarist (seated on bar-height stool) / Instruments: 1 acoustic guitar, 1 voice / Inputs: 1 D.I., 1 mic / Power supply: 1 pedal board

Total inputs: 1 D.I., 1 mic

 

Duo

Front-center stage: Singer-guitarist (seated on bar-height stool) / Instruments: 1 acoustic guitar, 1 voice / Inputs: 1 D.I., 1 mic / Power supply: 1 pedal board

Front-stage right: Upright bassist (standing but seated on bar-height stool when bowing) / Instruments: 1 upright bass / Inputs: 1 mic

Total inputs: 1 D.I., 2 mics

 

Trio

Front-center stage: Singer-guitarist (seated on bar-height stool) / Instruments: 1 acoustic guitar, 1 voice / Inputs: 1 D.I., 1 mic / Power supply: 1 pedal board

Rear-stage right: Upright bassist (seated on bar-height stool when bowing) / Instruments: 1 upright bass / Inputs: 1 mic

Rear-stage left: Guitarist (standing) / Instruments: 1 guitar w/ amp / Inputs: 1 mic / Power Supply: 1 amp, 1 pedal board

Total inputs: 1 D.I., 3 mics

MUSIC SERVICES

"The life I love is making music with my friends"

That Willie Nelson line sums me up. Let's collaborate--

Songwriting/composition: co-writing, project specific writing and composition.

Production: The creative/arranging side of music production for self-release, label release, or sync projects. Engineering and production for solo artist demos, full service for songwriter (guitar/voice) demos.

Lessons: Songwriting and guitar instruction.

Transcription/Charts/Notation: Transcribing (notating) music from recordings, creating charts of songs/compositions

Live sound: I've got a pretty sweet system for small/medium venues.

Shoot me a text (925) 822-7495.    --  Marcus

 

Laughter and tears with auto repairs, you're welcome wherever you've been.” - ("Little Gas Stations")
Like moonbeams between the black clouds, even at midnight we're shining through.”
Get me the hell outta hell.”
Jump in the truck, babe, and you pick the highway.”
Like one of the thousand business cards stuck on the ceiling of this old bar, I've been hanging out here way too long.” - ("Barfly")
I'm eight pistons pumping down a desert highway covered in heat waves with no A/C.” - ("Run Hot")
Two spades on the table, two in his hand, he's only seein' red”
I can take the hot sun, I can work, I can run, but in her soft warm glow I melted away.” - ("Wildflower")
I've hurt it like I've hurt myself, with hard drinking and self-doubt, but we keep sounding better all the time.” - ("Cheap Guitar")
I've got the best kind of bad luck.”
Let's fill it up with new love, with hard work, with tears that never end.”